135 is a special challenge to me. The grain is enough that it bothers me in a lot of situations. I found the Portra 400 tests I did unsatisfying, even though I really like the film in 120. But shooting 6×8 negatives gives me a lot more resolution, so I decided to give up on high speed (for the moment — I have a roll of cinestill 800 in the camera now) and try Portra 160.
All Kodak film is 2/3 of a stop slower than advertised. At least this is my rule
All Kodak film is 2/3 of a stop slower than advertised. At least this is my rule now, and since I’ve been following it I’ve been getting much better scans and more consistent results. In the F6 I just shoot +0.7, regardless. Medium format I set the meter for 100 instead of 160. To expand that rule, I shoot Kodak negatives +2/3 of a stop over, and always miss high. I find I can over expose a full stop from the box speed and the scan is still better than shooting at the speed published.
Since I’m bringing it up, I have experimented with Fuji, as well. Pro 160 NS I shoot exactly at box speed. If I miss, I can go down 1/3, or up 2/3, so I tend to miss high. Fuji slides are also exactly box speed. But don’t miss. At all. Velvia’s lovely, but exposure latitude is narrow.
Enough jibber jabber. Here are some samples, all just taken around town over a couple weekends. I am happy with the grain, and the not over saturated (like Ektar) colors. It’s not fast, but Portra works well enough in 135 for my tastes.
