Velvia in 135

I got a chance to shoot some slides in the F6. Not a fan of many of the film stocks I’ve tried in 135, just for the added grain, but slides in 120 are pretty much grainless. I have been excited to shoot a roll and see how good they might be. In fact, I’d have tried this before, but everyone was out of stock on Velvia in 135 until recently, when I found it at some random photo business at a bargain price of about a dollar less than other stores’ list price! So, still about twice as expensive as negatives, both for the film stock and for the developing. Shit’s not cheap, yo.

Results are spectacular, though. It takes a bit of thinking to shoot. I mean, it’s still iso50, so not exactly action film, but that’s not too much slower than Ektar, which I have to overexpose 2/3 of a stop for consistent scans. And holy crap are the results spectacular. Don’t get me wrong, I loves me some Ektar, but geez the hyper-real, over saturated colors of Velvia are special. And it’s grainless enough I’d be glad to make some pretty large prints from these slides.

Of course, it’s still slides. You’ve heard all the warnings. Better for low contrast scenes, not a lot of dynamic range, just straight up blows out highlights negative film would be a lot more gentle with, so you’d better get your metering right, and all that. I shot in full sun, cloudy, night, crappy light, and a variety of subjects just to get a sense of it, so the gallery is totes random. It’s fussy in bad light, but when the sun’s out it’s holy shit beautiful. Does amazeballs things to the sky at sunset, too. The sunset shot here is just the scan shrunken down to a webbable jpeg, nothing done in the photo shops to boost the colors. The slide itself is actually MORE vibrant.

Behold!:

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.